Rugby was increasingly popular in Paris in the first years of the twentieth century and both paintings show a couple of spectators in front of another row of heads of the crowd, reduced to simple circles, some wearing hats. It is also the area of Paris where Stade have their home ground. This bridge is similar to the one over the Seine at Passy, near to where Gleizes and his artist friends would meet. One of the main differences between the two versions is that Gleizes adds an iron bridge to the background. It’s likely that the team in blue is Stade Français. Both pictures depict a rugby match (confusingly, when French people said ‘football’ before the First World War they meant rugby, not soccer). The Washington picture was destined for the Salon des Indépendants in the spring of 1913, a huge annual exhibition at which many avant-garde artists showed their latest works. I recognised the work on the stand as a study for painting that had once belonged to Nelson Rockefeller and is now in the collection of the National Gallery of Art in Washington DC, also titled The Football Players. His top price at auction, over £1.8m ($2.7m), was achieved in London in 2010 with a painting that had previously been restituted from the Pompidou Center in Paris. His work is held in many prestigious museums including Tate Modern in London. In fact, with Jean Metzinger, he co-authored a book, On ‘Cubism’, that was the first attempt written by painters to explain the movement to a largely bemused public. At the 2016 Masterpiece Art Fair I spotted a painting on their stand that was particularly interesting to me, The Football Players by Albert Gleizes.Īlbert Gleizes is not a household name now, but in 1912, when he painted The Football Players, he was at the very heart of the cubist movement. For example, specialists from Waterhouse and Dodd, based in London and New York, have advised my students on projects for many years. Take note of how the method of cubism allows more depth to be depicted of the subject.Sotheby’s Institute of Art has numerous relationships with experts and practitioners in the art world - one of the elements that makes an education with us richly textured. Take a look at this video analysis of Pablo Picasso’s Night Fishing. Rather than depicting a subject according to spatial logic, cubist artists explore a subject through varying perspectives and vantage points to fully understand it. The cubist movement was an exciting and revolutionary approach to creating art because of the doors it opened for both artists and viewers. To better understand how these iconic cubist artworks were created, it’s critical to understand the philosophical approach behind it. Therefore, it is important to see synthetic cubism as an evolution of what came before through deeper experimentation. However, it is important to understand the level of experimentation that occurred during the movement.Īrtists were less concerned with the appearance of a final work, but rather interested in the process of exploring a subject through cubism. While synthetic cubism allowed artists to more deeply explore a subject, it was often associated with the lower artistic status of advertising due to its use of text in the image.Īnalytical cubism art is often described as the more rigid or austere form compared to synthetic cubism. The synthetic style utilizes words and even three-dimensional materials later known as assemblages (rather than sculptures). Synthetic cubism is often recognized as a collage which utilizes other forms such as bits of a newspaper or other pieces to deepen the exploration and interpretation of a subject. To fully understand the cubist movement, it is important to understand its two phases: analytical and synthetic.Īnalytical cubism refers to the approach of creating a subject through geometrical shapes and depicting it in a flattened way. Define Cubism Art Styles Analytical and Synthetic Cubism What is analytical cubism? How does it differ from the later phase of synthetic cubism? Let’s find out. Braque’s Mandora (pictured above) is one of the more influential pieces to come out of the early days of the movement often referred to as the analytical cubism phase.
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